ah, poetry

He wanted to convey deep sorrow and heartache through very simple means, but was unfortunately a very bad poet. Transformation comes through simple verse and the border between tragedy and comedy, as the jester shows, is very thin. As are the borders between monstrosity and beauty, nature and virtuality, playing and simply being.

One chapter of Orlando’s life was framed by poetry.

The transforming body, with all its possibilities, in the end becomes a poem itself. Following the famous literary work of Virginia Woolf, Stephanie Cumming‘s performance refers to the social construct of gender roles, the arbitrariness of our sense of time and the “involuntariness” of recollection.

photos: w. kirchner, d. payr
26/08/2010

Fronta Festival, Murska Sobota, SL

18/05/2010

Monodance Festival Budapest, Hungary

11/04/2010

Korzo Theater, Den Haag, Netherlands

16/08/2009

Kasino am Schwarzenbergplatz, Vienna AT

15/08/2009

Kasino am Schwarzenbergplatz, Vienna AT

13/08/2009

Kasino am Schwarzenbergplatz, Vienna AT

12/08/2009

Kasino am Schwarzenbergplatz, Vienna AT

25/06/2009

Republic Salzburg, Austria

24/06/2009

Republic Salzburg, Austria

23/06/2009

Republic Salzburg, Austria

01/05/2009

OHO Oberwart, Austria

dates

Choreography, Performance: Stephanie Cumming
Choreographic Assistant: Johnny Schoofs
Sound Design: Andreas Berger
Visual Concept, Costume:
Aldo Giannotti
Photos: David Payr

credits