ah, poetry
He wanted to convey deep sorrow and heartache through very simple means, but was unfortunately a very bad poet. Transformation comes through simple verse and the border between tragedy and comedy, as the jester shows, is very thin. As are the borders between monstrosity and beauty, nature and virtuality, playing and simply being.
One chapter of Orlando’s life was framed by poetry.
The transforming body, with all its possibilities, in the end becomes a poem itself. Following the famous literary work of Virginia Woolf, Stephanie Cumming‘s performance refers to the social construct of gender roles, the arbitrariness of our sense of time and the “involuntariness” of recollection.
photos: w. kirchner, d. payr
Fronta Festival, Murska Sobota, SL
Monodance Festival Budapest, Hungary
Korzo Theater, Den Haag, Netherlands
Kasino am Schwarzenbergplatz, Vienna AT
Kasino am Schwarzenbergplatz, Vienna AT
Kasino am Schwarzenbergplatz, Vienna AT
Kasino am Schwarzenbergplatz, Vienna AT
Republic Salzburg, Austria
Republic Salzburg, Austria
Republic Salzburg, Austria
OHO Oberwart, Austria
dates
Choreography, Performance: Stephanie Cumming
Choreographic Assistant: Johnny Schoofs
Sound Design: Andreas Berger
Visual Concept, Costume: Aldo Giannotti
Photos: David Payr