Eight acoustically interwoven solos in separately accessible rooms grow together over the course of the performance into a choreographic canon. The performers move, apparently without a link to the outside world, in an autark, closed sound-system, surrounded only by the mysteries of the mental spaces of their own world experience. The certain knowledge that the contact to human dreams and desires can only be established through a precise analysis of the outside carries these bizarre figures through the evening.

Starting from the original concept as performed at Leopold Museum, Stand-Alones performances are created for multiple spaces and in different architectural contexts.